Black And White Striped Dining Room Chairs

Published at Saturday, 9 November 2019.

ATTENTION TO SCALE. A moment that at first glance seems obvious, but is not always respected - the proportionality of details to the interior as a whole. So, a huge picture in a small bedroom will look like an alien element, like a miniature sofa in a spacious living room. DARK TONES - NOT ONLY FOR BIG ROOMS. A small room, dominated by dark tones, looks no worse than light. Conversely, saturated colors dominate the boundaries of space, diverting attention from its modest size. PERFECT SYMMETRY - NOT PERFECT. A completely symmetrical room, equal parts of which look like a mirror image of each other, is perceived as uncomfortable to be in it. Therefore, in such a room must be present at least one asymmetric element. For example, a picture on the wall or sconces.

DISCLAIMER OF AGGRESSIVE FORMS AND COLORS. Most professional decorators are of the opinion that the main and necessary characteristics of a living space are comfort and a relaxing atmosphere. It is better to create a corner of calm in the house than to opt for aggressive shapes and colors. THE COMBINATION OF BLACK AND WHITE WHICH SHOULD BE TAKEN CARE. White is considered one of the most versatile in the interior color palette. In many ways, this opinion also exists due to the wide range of its compatibility with other colors. But professional decorators are wary of black and white color duets. This maximum contrast combination looks too sharp for living space. An exception are paintings in a black frame on a white wall, which unobtrusively add graphic art to the interior. PERFECTLY NEUTRAL - GRAY BROWN. As the color, which can become a neutral background for the interior, most often choose between white, gray and beige. Professional decorators recommend paying attention to taupe. This color is harmonious in terms of the simultaneous warmth and coldness of its shade, and also does not bother for a long time. FACTOR IS INTEGRAL FROM COLOR. Most books on design and decor show a tendency to separate color from texture. So, for the interior they think over the color scheme, but no one thinks about the texture map. Professional decorators recommend initially considering color and texture in relation to each other. After all, the texture affects the balance of light and shadow, and therefore the perception of color.

ROUGH TEXTURES - UNIVERSAL UTILIZERS. If the room does not seem cozy enough, then for sure it lacks decor with a complex rough texture. It can be wicker baskets, a knitted blanket, a fur rug, a lamp with many faces. QUIET BEDROOM DRAWING. To decorate the entire living space with multilayer textile structures is redundant. But in the bedroom, draperies will be appropriate. They not only create a relaxing atmosphere, but also have good noise and light absorbing properties. PICTURES OR POSTERS - AT THE LEVEL OF VIEW. The optimal height for placing paintings or posters is at the height of the eye, that is, approximately 1.6 m from the floor. If a group of images is placed on the wall, then at the level of view it is worth hanging the central element of such a decorative composition. CARPET OF RIGHT SIZES - WHAT IS IT? Too small or large carpet can disrupt the proportionality of the interior. Therefore, professional decorators are guided by a number of rules when choosing a carpet. The carpet under the dining table should be wide enough so that the rear legs of the retracted chairs are on it. Under the bed, it is necessary to place a mat protruding from under it by 40-60 cm. Otherwise, getting out of bed, you have to step on your feet on a cold floor. Another important point: regardless of the size of the room, the carpet should not come close to its walls. If the room is large, then 30-45 cm of floor remains free from the carpet, small - up to 20 cm.

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Most early forms of motion pictures or film were black and white. Some color film processes, including hand coloring were experimented with, and in limited use, from the earliest days of motion pictures. The switch from most films being in black-and-white to most being in color was gradual, taking place from the 1930s to the 1960s. Even when most film studios had the capability to make color films, the technology’s popularity was limited, as using the Technicolor process was expensive and cumbersome. For many years, it was not possible for films in color to render realistic hues, thus its use was restricted to historical films, musicals, and cartoons until the 1950s, while many directors preferred to use black-and-white stock. For the years 1940–1966, a separate Academy Award for Best Art Direction was given for black-and-white movies along with one for color; similarly, from 1939–1966 (excepting 1957), a separate Academy Award for Best Cinematography was given for both black-and-white and color movies.