Dark Gray Couch Living Room Ideas

Published at Tuesday, 22 October 2019.

DECOR EXCLUSION METHOD - THIS WORKS. In rooms where decor is redundant, it is worth trying the method of exclusion - just remove some of the little things. Leave only the most colorful, but at the same time simple things, the presence of which really benefits the interior. The free space looks much more comfortable than it is filled with knick-knacks. STORAGE SYSTEMS: BETTER MORE THAN LESS. Storage systems are not only sliding wardrobes, dressers and mezzanines. No less important in the interior are boxes, vases and bowls, where little things are added. So the interior will give the impression of an orderly and neat. REMEMBER MIRRORS. A mirror is not only a reflective surface, which will help to make sure that everything is in order with the appearance. It is also a decor that has almost magical properties. Mirrors visually increase the space, make it brighter, airier and more refined. Decorators never forget this in the process.

STYLE - THIS CONDITION. Denying the boundaries of existing styles is not part of our plans. But in the process of decorating living space, you should not strictly observe them. Much more important is how the owners of the house feel themselves in it, and not the full compliance of the design with a certain style. CLASSICAL RULE OF THREE. Items collected in a composition of three should differ in three ways - shape, color and size. For example, you should not put three identical photos on the mantelpiece. It is preferable to choose a photo, a vase and a book as a decor - objects that differ in each other according to all the mentioned signs. THE SAME SANITARY COLOR IS MANDATORY. In pursuit of original solutions, you may get the idea to install plumbing in different colors. For example, the sink is white and the bathtub is black. It is better to refuse such an idea at the initial stage, because the result of its implementation will be a disharmonious interior. PEDESTAL OF HONOR FOR THE DECOR. In order to enliven a decorative composition, try to raise several objects, its components, over others. For example, on the dressing table, part of the bottles can be put in a tall fruit vase. Such a simple technique, which is often used by professional decorators, will give the interior depth and volume.

DROP, LUXURY, ALWAYS RELEVANT. Even if a minimalist style is chosen for decoration, there is a place for a couple of luxurious details in it. Large items, for example, a sofa or a carpet, should not play their role at all. To save money, you can order tailoring of covers from high-quality textiles on pillows or furniture. NUMBER OF ORNAMENTS - Odd. The rule that most professional decorators adhere to is that the number of ornaments in the room should be odd, and their pattern should be different. Floral patterns are in harmony with geometric prints, and rich ornaments are best combined with neutral ones. WINDOW DECOR FOR RULES. Competent window decoration is able to cope not only with aesthetic, but also with practical tasks. So, if you hang the cornice 5-10 cm above the window opening, then visually the height of the window will increase. In a similar way, you can increase the width of the opening. To do this, choose a cornice, the length of which on each side of the window is 10-25 cm longer than necessary. Such techniques will not only increase the window, but also visually make the room more spacious and brighter. CREATIVITY IS MORE THAN PRINCIPLES AND RULES. Knowledge of various rules helps professional decorators to navigate the world of design, to acquire a basis for further development. But for each specific case only part of the existing principles and rules is applicable. Therefore, the creative component of the decoration process is a priority.

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Grey was a particularly good background color for gold and for skin tones. It became the most common background for the portraits of Rembrandt Van Rijn and for many of the paintings of El Greco, who used it to highlight the faces and costumes of the central figures. The palette of Rembrandt was composed almost entirely of somber colors. He composed his warm greys out of black pigments made from charcoal or burnt animal bones, mixed with lead white or a white made of lime, which he warmed with a little red lake color from cochineal or madder. In one painting, the portrait of Margaretha de Geer (1661), one part of a grey wall in the background is painted with a layer of dark brown over a layer of orange, red, and yellow earths, mixed with ivory black and some lead white. Over this he put an additional layer of glaze made of mixture of blue smalt, red ochre, and yellow lake. Using these ingredients and many others, he made greys which had, according to art historian Philip Ball, “an incredible subtlety of pigmentation. ” The warm, dark and rich greys and browns served to emphasize the golden light on the faces in the paintings.